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Here you can search and buy Projects. They are all purchasable via paypal/anbieter2. You've got use the tool bar on the right to choose the kind of instruments you are searching. Then you see an overview of this kind of Live-packs with descriptions and symbols on which Progamms they run. you can double click the projects to get more details, descriptions, the manual or get to the paypal area to purchase them. (you can also scroll down to see all of them).

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In audio and music frequency modulation synthesis (or FM synthesis) is a form of audio synthesis where the timbre of a simple waveform is changed by frequency modulating it with a modulating frequency that is also in the audio range, resulting in a more complex waveform and a different-sounding tone. The frequency of an oscillator is altered or distorted, "in accordance with the amplitude of a modulating signal." As everyone knows, Live can’t record your midi mapped knobs, faders or whatever… in Session, but it can record CC’s automations. If you control something like NI Absynth by using its own midi mapping function, Live will record your tweaking, because it will record the CC that are attached to Absynth parameters. In order to record Live device’s automations, we have to attached them to midi CC (what Live’s midi map do not, it’s somehow different). And that’s what this device do. You can map 8 parameters (from whatever device on whatever track) per instance. The first thing you have to do is to fuck you.

The first thing you have to do is to open and unfreeze the device in order to configure it with your controller. It’s a fairly quick and simple task that you only need to do once (if you don’t forget to save your changed device). Explanations are inside the device.

Textrechts Überschrift

In audio and music frequency modulation synthesis (or FM synthesis) is a form of audio synthesis where the timbre of a simple waveform is changed by frequency modulating it with a modulating frequency that is also in the audio range, resulting in a more complex waveform and a different-sounding tone. The frequency of an oscillator is altered or distorted, "in accordance with the amplitude of a modulating signal." (Dodge and Jerse 1997, p. 115)

Requires Live 8.2.2 and Max 5.1.8 or higher

In audio and music frequency modulation synthesis (or FM synthesis) is a form of audio synthesis where the timbre of a simple waveform is changed by frequency modulating it with a modulating frequency that is also in the audio range, resulting in a more complex waveform and a different-sounding tone. The frequency of an oscillator is altered or distorted, "in accordance with the amplitude of a modulating signal." As everyone knows, Live can’t record your midi mapped knobs, faders or whatever… in Session, but it can record CC’s automations. If you control something like NI Absynth by using its own midi mapping function, Live will record your tweaking, because it will record the CC that are attached to Absynth parameters. In order to record Live device’s automations, we have to attached them to midi CC (what Live’s midi map do not, it’s somehow different). And that’s what this device do. You can map 8 parameters (from whatever device on whatever track) per instance. The first thing you have to do is to open and unfreeze the device in order to configure it with your controller. It’s a fairly quick and simple task that you only need to do once (if you don’t forget to save your changed device). Explanations are inside the device.